560. Covercraft

Original airdate: November 23, 2014

The premise:
Homer teams up with the other neighborhood bands to form a small town cover band, with Apu as the lead singer, who uncannily channels the sound of 80s crap rock. It isn’t long before the washed up band Sungazer shows up to tap Apu to join them on their new tour.

The reaction: Boring… so boring… When you’re getting flashbacks to “How I Spent My Strummer Vacation,” that’s not the best sign. We’ve got Homer, Lovejoy, Kirk Van Houten and Dr. Hibbert together in a dude band… okay. These are four personalities I don’t see gelling, but of course, the latter three don’t exhibit any real character or really do anything except stand in the background and occasionally say a line about how great things are going (“Guys, are you feeling this? Are you feeling this?” “I’m feeling it.” “I’m definitely feeling it.” “I felt something earlier but I was afraid to bring it up.” “I think we all felt something.” ACTUAL DIALOGUE) The real highlight of the band is Apu, who sings in a completely different voice that’s not Hank Azaria’s (I think) due to some bullshit about 80s wuss rock bleeding into his brain after years of all-night Kwik-E-Mart shifts. So now it’s like “Strummer” meets “Homer’s Barbershop Quartet,” except a drunken Barney being discovered lying on the bathroom floor singing in an angelic voice is actually funny, and this shit isn’t. They sing covers from the fake 80s band Stargazer, and like we’ve seen with style “parodies” this show has attempted over the last few years, they more or less just replicate shitty songs, not actually write jokes and make fun of them. Later, Stargazer shows up, and despite being a fictional band, Kirk names off all four members individually when they first appear as if they were actual celebrities that they always namedrop all the time. They want Apu to replace their dead band member, and he agrees, but Homer gets jealous about his friend’s newfound fame. The writing is so fucking bad… here’s how this goes. Apu gets on the tour bus, and we get this exchange from Kirk and Homer (“Gotta say, I’m kind of jealous of Apu getting a break like that.” “Not me. I’m nothing but happy that our friend is heading for fame and fortune.”) Then Apu flies away in a helicopter, that I guess was on top of the tour bus that nobody noticed, shouting how they’re gonna play Las Vegas. Homer then breaks (“I want his fame and fortune so much!”) The whole episode is this, and for the thousandth time, is nothing new: characters just explaining what they’re feeling and what’s happening. Every fucking episode is like this now. In the end, Homer’s anger subsides when he finds Apu is being held against his will by a contract, they scheme and get Sungazer sick, and Apu gets his buddies back together to play to thunderous applause at a packed house in Springfield. So it’s like the ending of “Strummer,” except not as bad, considering it’s a fake 80s band that Homer and company are replacing and not the Rolling Stones, and I also could give less of a shit. Ugh.

Three items of note:
– Our opening features Moe getting into a back-alley fight with his neighbor, King Toot himself, played by Will Forte (I guess ownership has changed hands since “Lisa’s Pony.”) So many super talented guest stars have been completely and utterly wasted over the past decade-plus of shows, and now Forte joins them. Occasionally we see guest stars put in extra effort on their end, like Willem DeFoe did last show, but they have absolutely zero material to work with. The Last Man on Earth, created by and starring Forte, would premiere on FOX a few months later, and is such a wonderfully cringey and dark series, and he is masterful in it. Shit like this is beneath him. MacGruber is smarter than this. …it’s actually a surprisingly funny movie, go watch it.
– There’s a line early on that really annoyed me. Homer first plays his bass in the garage attracting the attention of the other Simpsons. Lisa comments, “It’s so cool to have another musician in the family!” Let’s ponder this. Lisa is smart enough to be able to see right through her dad that he isn’t truly serious about being a great musician. He bought it on a whim, thinking it would be easy, or he was suckered into it. Which is what happened. It happened at the same store that Lisa was in. She was there when, over the course of what must have been a couple hours, he was suckered into buying the bass and a whole bunch of other musical equipment. But this show has the memory of a mayfly, so I guess they forgot Lisa was in that scene. But again, the line makes no sense if Lisa was there or not. It’s just empty, meaningless dialogue that pushes the story forward; it doesn’t matter who says it, as long as we explain what’s happening. And in the end, Covercraft is a big local hit, so I guess Homer and company were instantly great, just like every other character that tries a new skill. Wonderful.
– The stupid story with Apu, besides the thing with his voice, is that he only feels comfortable singing at the Kwik-E-Mart, so Homer has him wear his uniform under his clothes so he’ll feel comfortable. Later, he attempts to sabotage him by stealing the uniform back when he’s on stage with Sungazer. This feels so fucking thin, like the plot of a shitty tween sitcom or something. And I guess we’re just forgetting about Homer and Apu playing around the world as the BeSharps then. I don’t care that much about continuity at this point, but it doesn’t help when they put a framed picture of the BeSharps on Apu’s dressing room wall for the sake of fan service. So they remember the episode enough to throw in a reference to it, but not enough to realize that it makes their flimsy premise completely fall apart.

One good line/moment: Guitar Central (Where Dreams Become Purchases) was a decent set piece; the conceit of the salesman preying on mid-life crises and over-complimenting them into buying as much as possible was good, not perfect, but there were some alright lines (“Usually it takes years to learn such neck confidence!”)

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8 responses to “560. Covercraft

  1. Ererrrrrrrrrrrr

    They didn’t even parody the songs- those are original works for the show. Original, and useless. They could be taken out and the story could be exactly the same. But then the episode would just be 15 minutes, so I guess they’re just there to fill out the time.

    Also, I liked the scene where Homer looks to the sky and sees dead rockers like John Lennon, Jimi Hendrix, and… Sammy Hagar, for some reason, even though he’s alive. The scene with the waiter at his resort reviving him did get a good laugh from me (“I TOLD you those jalapeño poppers had too much breading!”)

  2. I always forget that this episode exists, but the joke that Marge dances and embarrasses the children is hilarious.

  3. This episode has that scene where Lisa tells Homer he feels jealous of Apu, but Homer corrects her stating he’s not jealous, but envious, and then he proceeds to give full definitions of both words. Lisa then pulls a dictionary and says “Wow, he’s right”. I’m not sure how to feel about that scene, I don’t like it, but I don’t hate it, it’s just a super bizarre moment.

    Next episode is my favorite of the season and quite a breath of fresh air after everything that has showed up these past seasons. It still has several of the problems from this era, but it’s probably the best Christmas episode since Grift of the Magi.

  4. This episode made me realize that Apu is one of the few likable characters left on the show, since the main cast had been made more unlikable over the course of the series, even Flanders. So I tolerated this one more simply because Apu was a focal point.

    Aside from Homer, the rest of the bad were definitely fill-in-the-blank characters. Sideshow Mel, Lou, and Gil could have been the backup and nothing would have changed plot-wise

  5. Kaiju no Kami

    All I remember about this episode was screaming at the TV with something like, “DID YOU GUYS FORGET APU WAS PART OF YOUR B-SHARPS GROUP?! HE OBVIOUSLY CAN SING!!!!”

  6. The Anonymous Nobody

    So I guess Bart knows enough about Genesis to state that the Peter Gabriel era was better than the Phil Collins era?

    Remember when he thought that Grand Funk Railroad and Jefferson Airplane were dinosaur bands?

    • The characters’ knowledge is whatever is necessary to hamfistedly move the scene forward. They are all pretty much interchangeable in that regard.

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