Original airdate: October 15, 2017
The premise: Homer thinks he’s struck fame when he discovers Maggie’s incredibly whistling talent, but fears she might turn into a child star diva. Meanwhile, Marge is enlisted to be Fat Tony’s interior decorator.
The reaction: I couldn’t really make heads or tails out of this one. Plot A involves Homer believing that his ticket to superstardom is being able to whistle well? At first he tries hiding Maggie in his backpack and miming with his lips to look like he’s actually whistling, but he’s exposed fairly quickly. Apparently this talent skips a generation; Abe was a world-class whistler back in the day, and now he and Homer believe Maggie can be a big success. It isn’t until halfway through the show we see that they want to enroll her in an America’s Got Talent Jr.-type show, but what do they win? What are the stakes? Then they manufacture at the last minute that Maggie might be turning conceited and Homer is worried about it. Meanwhile, Marge is approached by Fat Tony at random to be his interior decorator for the old post office he just purchased. She goes along with everything he says, no questions asked. She even addresses him by his first name; at this point, it feels like the mafia are basically family friends of the Simpsons too. She’s ultimately shocked to discover that the building is actually a swanky brothel, even though it has a built-in stripper pole and other such amenities. Seriously, how could she not have known this? Both plots are pretty dumb and meaningless, but even stranger is that for some reason, there’s a runner throughout where Homer and Marge are keeping their recent escapades secret from each other. Why is this? Marge had zero hesitation or reservations about doing a job for the mob, so it’s unclear why she wouldn’t tell Homer, and Homer was super psyched about Maggie’s talent, why wouldn’t he tell Marge? As usual, it all ends up being a bunch of nonsense.
Three items of note:
– I don’t know how many times these shows are ripped apart and pieced back together, but there are times where scenes feel like they don’t connect properly. We open in the middle of the night where Marge is fretting about having friends over the following night. She wakes Homer up and asks if he can watch Maggie, and he agrees. Then we cut to Homer still in his PJs hanging out with Maggie. Is this happening the same night? Is he prep-playing with her? But then we cut to Marge and her guests in the living room, so I guess it’s the following night. But then why is Homer in his PJs? Why couldn’t the first scene have taken place during the day? Again, it feels like this all was rewritten over and over and they just forgot about it. Also, Marge’s guests are Helen, Bernice and Luann, who waste no time in acting like smug bitches toward her, and continue throughout the whole show. Completely unprompted and meaningless.
– Through flashback, we see li’l Abe had a big shot on a huge radio show to display his whistling talents, where he tried off a complicated trip involving whistling in three part harmony through three lips. It’s pretty disturbing, he looks like a weird Futurama creature. Then he ends up blew out the ligaments in his lips, leading him to have to pay a guy to make out with his girlfriend for him (don’t ask.) But cutting back to the present where he urges Homer to foster Maggie’s talent, he then inexplicably does his whistling trick, but this time in four part harmony. Four creepy gross alien lips. But didn’t we just see that he fucked up his lips and couldn’t do the trick anymore? Wasn’t that the whole point of Abe’s only hope being Maggie? Who gives a shit, right?
– One orphaned scene involves Lisa discovering Maggie whistling in her crib, which leads her into an anxious spiral of her feeling insecure that Maggie is gifted and has a talent. It felt like her awful behavior in that “Smart and Smarter” episode, but at least that was kicked off by learning Maggie had a higher IQ. What the fuck does Lisa care if her infant sister can whistle well? Is she that pathetically insecure?
One good line/moment: Mrs. Prince nonchalantly picking up her wedgied son off a coatrack was a smirk-worthy background gag. Kind of a stretch, but whatever.