692. The Road to Cincinnati

Original airdate: November 29, 2020

The premise: Superintendent Chalmers is scheduled to speak at an administrator’s conference in Cincinnati and is dispirited when he ends up having to take Skinner with him. Their road trip proves to be calamitous, but the two end up growing fonder of each other along the way.

The reaction: One of my biggest wants over the past fifteen or so years for this show is for them to explore their enormous roster of secondary characters. I think we’ve had enough Homer and Lisa shows for one lifetime, why not give us some variety and feature Ned Flanders, or Mayor Quimby, or in this case, Skinner and the Superintendent? Just like Comic Book Guy going to Comic-Con, a story with Skinner and Chalmers together feels like a promising idea, one I was genuinely curious going in as to how they would execute it. While it definitely felt novel to have an episode that barely featured the Simpsons at all, I was ultimately disappointed as to how bland and unambitious the episode ended up being. If you’ve seen any road trip comedy featuring two mismatched protagonists, you can basically predict the story beats here: the two bicker, meet up with odd characters and get into wacky shenanigans, one or two token acts bring them closer, a secret is revealed leading to a falling out, then a tearful reconciliation and everything is a-OK by the end. That’s not to say a traditional story can’t be engaging or fun to watch, but there’s not enough unique here that really kept my attention. Skinner resolves to have more backbone and be more proactive in getting on Chalmers’ good side, and his kindness and quick thinking gets the two out of a few jams, which helps to make Chalmers grow more fond of him. Unfortunately it doesn’t seem like we learn a lot about these two during their trip. We see Chalmers freaking out about air travel, getting them kicked off the plane, but that never really develops into anything. Skinner finally standing up for himself to Chalmers feels a little cathartic, but feels a little empty since there’s no real stakes for him in the episode. He tags along with Chalmers not for a promotion or a pay raise, he just wants to be his friend, I guess. This show has actually had some success in the past few years in showcasing new and different shades of our familiar characters (Mr. Largo and his partner’s domestic life, Krusty’s dream of filming an “unfilmable” adaptation of a sci-fi story), it’s just a bummer that this episode entirely focused on not-the-Simpsons feels so rote and formulaic. 

Three items of note:
– In an episode where the Simpsons barely appear, it was interesting seeing how the rest of the cast were given some rare token roles. Dan Castellaneta plays the Missouri sheriff, though he typically plays a lot of non-Homer roles per episode. Yeardley Smith gets a lot of lines as one of the improv Shakespeare performers Skinner and Chalmers pick up. And, something I didn’t notice before the credits revealed it, Julie Kavner performed the turkey on the airplane that freaks Chalmers out, and pretty well, I might add. She also gets a decent sized bit as Marge in the tag of the episode, so don’t worry, all of our regular performers definitely earned their large paychecks for this episode.
– Attached to the episode description I read somewhere, it also mentioned that there would be a steamed hams reference, which instantly made me cringe. I feel like the genesis of this episode was inspired by the explosion of the Steamed Hams meme, so I was preparing for the worst, most on-the-nose callback ever. However, the reference ended up simply being a Steamed Hams restaurant they drive by, a blink-and-you’ll-miss-it background sign. I was surprised by the restraint.
– If it’s one thing this show is unable to do anymore, it’s balancing genuine sentimentality with a snarky twist, something that really made this series shine in its heyday. Now, happy endings are played 100% straight, and even if they feel earned, they feel like they belong in a completely different show. Here, Skinner races back to Cincinnati to get Chalmers his cue cards for his speech while Chalmers riffs on stage about how lame Skinner is, before slowly realizing he actually cares for him (“God help me, I respect Seymour Skinner! In fact, I like him!”) The two have a tearful hug and Chalmers gives his speech uninterrupted. It literally feels like something out of a bad movie, with no attempt at adding anything new on top of it. Maybe Chalmers’ speech goes terribly? The two get kicked out? Some other crazy thing happens? You can still have your sweet moment and have it land meaningfully, but there’s got to be more to it.

13 thoughts on “692. The Road to Cincinnati

  1. As episodes that don’t feature the Simpsons in “The Simpsons” are like a siren’s call for me given the opportunity for the show to attempt flexibility without the writers’ favorite crutches, this was the episode I have waited on since I found out about it and a rare instance of an episode I went out of my way to actually watch. Sadly, I feel like this was a wasted opportunity.

    For starters, let’s take a look at our token obstacle that I didn’t even bother learning the name of during the episode (and am too lazy to look up on either Simpsons wikis); he charms his way to Chalmers and presents himself as more vibrant and confident than the needy and insecure Skinner, which instigates our story, and like myself, Mike was too unmotivated to even bring him up. Turns out, he’s buttering up Chalmers to go from being principal of a magnet academy… to Springfield Elementary? Wouldn’t that be a step down, or three? Besides a for-profit charter school, being a principal at what undoubtedly would be one of the worst schools in the district; nay, the state would be akin to being recognized as the ugliest animal at the state fair, as opposed to being in charge of a specialized school that would get more money and prestige amongst politicians and parents alike. This type of story element would only work if you’re going *from* the crappy school to the much better school. He was also too generic as it was, given he was designed purposefully as an antithesis to Seymour Skinner.

    Secondly, like you described, the episode followed your generic beats for a road trip story featuring mismatched characters. It follows the standard “conflict” format where things start off rocky, then things seem to work out, then build up to a peak, then there’s a resolution at the end. It wasn’t exactly the worst usage of this type of narrative, but we could have done without the whole cyclist bar sequence, which felt more like an idea that sounds funny in concept, but in execution, comes off more like a sketch comedy segment than something you need to actually build an entire segment of your episode around.

    On an addendum, I do have to give the episode demerits assuming there are still regional airlines that go explicitly to an area (which was all built up for one wordplay joke) when the airline industry as a whole has become an oligopoly, and I doubt the writers knew that Cincinnati’s airport is actually in “Northern Kentucky”, plus when you factor in that the road trip had them going eastbound to the “Queen City” via Missouri, yet there’s that whole aforementioned segment that seems to take place out in badlands, I also gotta fault the show for ignoring geography. Having been through the region last year en route to Memphis, much of that area they would end up in is either lowlands, rock quarries (with lots of trees and wildlife), or swamp. Yeah, the show played fast and loose for the sake of it, like always, but it still bugged me.

    Also… they sure loved to comment on winterizing vehicles.

    Given that this was a Matt Selman episode, despite it being a weak one, at least it was an attempt at variety. An Al Jean episode would just do Homer and Marge having marital troubles or Lisa fighting for “wokeness”, so it begs the question why does Al Jean keep wanting to be showrunner for what will come on to 2 decades straight?

    1. Re: Al Jean

      I imagine he gets a fairly substantial paycheck and cares more about receiving that every year than improving or even maintaining the quality of the show.

  2. If I wanted to see a cartoon episode based on the old “Road To…” formula, there are plenty of better options, such as the “Road To…” inspired episodes of Taz-Mania and Talespin…

  3. I really wanted this to be a good episode. Focus on two side characters? Little Simpsons involvement? Sounds like it has a lot of potential But nope… swing and a miss! Sigh…

    “However, the reference ended up simply being a Steamed Hams restaurant they drive by, a blink-and-you’ll-miss-it background sign.”

    Oh my god, that joke was actually… funny? Of course it was a sign gag but still, it played with the viewers expectations. It actually works! Good job, Season 32! First good joke of the season. I knew you could do it. If you keep this up, maybe there will be at least twelve actually funny moments by the end of the season!

  4. At this point , the show wants them to Bone.

    For 20 damn seasons , always appearing on every scene together, Chalmers is just Skinner’s stalker

  5. The only potentially interesting part in this episode for me is when they started to fight, but even that was a huge let down because of the execution.

    1. Maybe? Last year around this time we had “Thanksgiving of Horror,” the best episode in years, so without a comparable show, I guess this season is a little worse.

  6. Twenty years ago, I would have thought shifting the show’s focus to the broader Springfield population would have been a good way to keep things new. Now, every character has been so zombified that it doesn’t matter. I guess it’s good that they are finally trying, but who cares, really? My only thought on any episode since Season 9, is “Man, this show should have ended back in 1998.”

Leave a comment